Borderlands Review: A Boring Slog Through The Wasteland
"Borderlands" could've been a fun video game movie, but sadly, it lacks the personality of its source material.
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It Ends With Us Review: The Vibes Are Weird In This Failed Colleen Hoover Adaptation
Colleen Hoover's bestselling romance novel "It Ends with Us" makes the jump to screen, starring Blake Lively and Justin Baldoni. But is it any good? -
Cuckoo Review: Hunter Schafer's Horror Movie Will Leave You Baffled
Hunter Schafer and Dan Stevens star in Tilman Singer's "Cuckoo," a twisty, confounding horror movie set in a remote motel in the German Alps. -
Harold And The Purple Crayon Review: A Dull Waste Of A Colorful Children's Classic
"Harold and the Purple Crayon" takes a beloved children's book and turns it into an irritating, flat, miscast waste of time. -
Trap Review: Shyamalan's Thriller Is Unhinged & Unsettling (But Slightly Uneven)
Although M. Night Shyamalan's thriller "Trap" fumbles in the third act, it's a whole lot of fun - and Josh Hartnett nails his role. -
Deadpool & Wolverine Review: A Solid MCU Entry, But It's No Juggernaut
While there may be a lack of plot in "Deadpool & Wolverine," many people will simply luxuriate in two-plus hours of the titular heroes doing their thing. -
Twisters Review: A Charming, Admirable Update On A Classic
"Twisters," directed by Lee Isaac Chung and starring Glen Powell, might struggle to capture its predecessor's magic, but the tornadoes are a sight to see. -
Longlegs Review: Overhyped Horror That's Hard To Take Seriously
While it's gotten plenty of hype, Osgood Perkins' serial killer film "Longlegs" disappoints with a flat protagonist and some predictable beats. -
Beverly Hills Cop: Axel F Review - Eddie Murphy's Back On The Beat
"Beverly Hills Cop: Axel F" is funny, action-packed, full of heart, and proves that Eddie Murphy is still an immense talent. -
Despicable Me 4 Review: The Minions Continue To Do The Heavy Lifting
Despite some impressive voice acting from the main cast, the Minions continue to steal the show in Illumination's "Despicable Me 4." -
Maxxxine Review: A Great Horror Trilogy Goes Out In Style
"Maxxxine" isn't the strongest movie in Ti West's "X" trilogy, but it's still a great summer slasher worth checking out. -
A Quiet Place: Day One Review - Lupita Nyong'o And Frodo The Cat Steal A Somber Spinoff
The "Quiet Place" franchise continues with the New York City-set prequel, "Day One," directed by Michael Sarnoski and starring Lupita Nyong'o and Joseph Quinn. -
The Bikeriders Review: Stylish Drama That Will Tire You Out Quickly
Although "The Bikeriders" is based on Danny Lyons' photo book, it doesn't necessarily do the source material justice. -
Inside Out 2 Review: Pixar's Masterpiece Gets A Moving But Underdeveloped Sequel
While "Inside Out 2" isn't quite the masterpiece that its predecessor was, it still delivers plenty of heartfelt moments. -
The Watchers Review: Only Nepotism Could Have Gotten This Film Made
Ishana Night Shyamalan's film debut is here with the mystery-thriller "The Watchers," but did she inherit her father's knack for compelling stories and twists? -
Bad Boys: Ride Or Die Review - Aging Gunslingers Still Hit The Spot
"Bad Boys: Ride or Die" proves that the franchise still has tons of life left, with Martin Lawrence and Will Smith as good as ever. -
The Apprentice Review: A Subtly Humiliating Look At The Rise Of Trump [CANNES 2024]
Sebastian Stan plays Trump well in "The Apprentice," but Jeremy Strong steals the show as Roy Cohn, the mentor who carved Trump into who he is today. -
Furiosa Review: It's No Fury Road, But Still A Lovely Day
"Furiosa: A Mad Max Saga" is an action-packed thrill ride that can't help but live in its predecessor's shadow - for better or for worse. -
Rumours Review: A Funny, Sometimes Foggy Commentary On Global Leaders [CANNES 2024]
Though it rallies toward the end with a few well-placed energetic bits, it's hard to ignore how heavily "Rumours" sags in the middle. -
Emilia Pérez Review: A Bold And Messy Mexican Trans Crime Musical [CANNES 2024]
"Emilia Pérez" can certainly be messy, but it's rarely a mess, and many audiences might just fall in love with its audacious, chaotic energy. -
The Garfield Movie Review: As Entertaining As A Monday Without Lasagna
"The Garfield Movie" filmmakers have lost track of the comedic tone that has helped these simple, gag-driven comics endure for decades. -
Kinds Of Kindness Review: Lanthimos' Poor Things Follow-Up Is Weird & Compelling [CANNES 2024]
Like it, love it, or hate it, Yorgos Lanthimos stays true to his tastes, and "Kinds of Kindness" is the purest example of this we've seen in a while. -
Megalopolis Review: Objectively Bad But Audacious As Hell [CANNES 2024]
Francis Ford Coppola forgoing what audiences might want to see in "Megalopolis" for his own vision is so bold you almost have to admire it. -
IF Review: These Imaginary Friends Should Have Stayed In John Krasinski's Head
John Krasinski's imaginary friend fable "IF" stars Ryan Reynolds, Cailey Fleming, and a whole host of deeply irritating animated characters. -
Kingdom Of The Planet Of The Apes Review: Stunning Action But Monkeys Around Too Much
"Kingdom of the Planet of the Apes," the first Disney-produced "Apes" film, doesn't break new ground, but it's more fun than a barrel of monkeys. -
The Fall Guy Review: A Crowd-Pleasing Love Letter To Stuntmen
Ryan Gosling and Emily Blunt have knockout chemistry in "The Fall Guy," which may also be David Leitch's best work to date. -
I Saw The TV Glow Review: A Teen Horror Masterpiece Where The Channel Changes You
Jane Schoenbrun's horror-drama "I Saw the TV Glow" is entertaining yet depressing, surreal yet too real, and frustrating yet somehow cathartic.
